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Rubin never uses her historical distance to point up the absurdities of the story that seem obvious to us in the twenty-first century. But she does look at the reasons why the stories were found so acceptable and rarely resisted. In thinking about this, I wondered about stories that gain popular credence in contemporary society that are nevertheless demonstrably false: urban myths (more on these later). What function do they serve both in our society and in ourselves?
One thing the author also does is place one of the only extant contemporary responses from the Jewish community to the massacres, a verse lament, smack dab in the middle of the book. This takes the book out of the realm of scholarly publication and into something more artistic accessible, at least to a spongehead playwright like me.
But what was really awkward was explaining to my five-year old why they were cooking a child on the cover.
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Not much more to say about this book. It has to be read (or at least leafed through) to be appreciated. I'll quote from the introduction, Edwards' argument of purpose:
This book is for the minister who desires to have the most effective Christian witnesses and soul winning church possible -- for the church that wants to see men come to Christ every week.
The goal of this book is to show you how a church can witness to, and seek to win, every human being in the city. This book is for the Christian who, more than anything else in all the world, wants to be a soul winner.
This is for the minister who wants to grow laymen in his church, who do nothing but talk soul winning, eat soul winning, dream soul winning, and do soul winning.
I rephrase this in purely functional terms: an organization whose entire function is to grow the organization.
More books later
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